The Facets of Myth:
(2025 – present)
This series is about life in a big city — the feeling of being close to millions of people, yet completely alone. I call it "encapsulation": like being sealed inside a invisible shell.
Look closer at the paintings. You'll see figures and architectural fragments trapped under layers of plaster and stone, as if they’ve been buried for centuries. It’s not a sad story, though. It’s a shift in perspective: imagine archaeologists from the future digging through our time. What would they find? Our loneliness? Our rush? Our silence in crowded metro cars?
Technically, I mix street art geometry with rough antique maps, organic bionic shapes, and even fragments of Renaissance frescoes. I add textured pastes, mineral pigments, engraving, and sometimes 3D elements that break out of the canvas. Then I partially erase or "seal" parts of the image — to show how we hide ourselves, layer by layer.
The result is not just a painting. It's a time capsule. An invitation to see your everyday life as something already ancient, already precious. To step outside your own "capsule" and observe it with curiosity, not fear.