- Encapsulated -
2025 – ...

"Encapsulated" turns modern loneliness into something ancient — as if archaeologists from the future just dug up our present.

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NEW
Radiance #1 & #2
Suspended between water and sky,
between sleep and waking.

Oil and acrylic
on cotton canvas
30 × 80 × 2 cm | diptych
11.8 × 31.5 × 0.8 inch | diptych

© Daria Harlauta 2026 (signed & certified)
Diptych:
$
3200
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NEW
Living Water, Dead Water
Together, they remind us that death and life do not oppose each other; they flow into one another, like water.

Oil and acrylic on two arch-shaped
premuim cotton canvas panels
50 x 80 x 2 cm | diptych
19,7 x 31,5 x 0,8 inch | diptych

© Daria Harlauta 2026 (signed & certified)
Diptych:
$
5000
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Legacy
An artifact that captures a moment of transmission — of memory, presence, knowledge — through the barriers of matter and time.

Oil, ink and relief on two cotton canvas panels,
ribbon, bronze handbell
40 x 20 x 2 cm | diptych
15,7 x 7,9 x 0,8 inch | diptych

© Daria Harlauta 2025 (signed & certified)
Diptych:
$
3285
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Pomegranate Seed
The myth of Persephone, rewritten in the language of the Post-Anthropocene, where nature no longer releases but ensnares in a glittering, synthetic web.

Oil and acrylic on cotton canvas,
synthetic fiber, plastic
50 x 60 x 2 cm |
19,7 х 23,6 x 0,8 inch

© Daria Harlauta 2025 (signed & certified)
$
3284
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More

The Facets of Myth:

Encapsulated

(2025 – present)

  • 2025 – present
  • 11 artworks
  • Available now

This series is about life in a big city — the feeling of being close to millions of people, yet completely alone. I call it "encapsulation": like being sealed inside a invisible shell.
Look closer at the paintings. You'll see figures and architectural fragments trapped under layers of plaster and stone, as if they’ve been buried for centuries. It’s not a sad story, though. It’s a shift in perspective: imagine archaeologists from the future digging through our time. What would they find? Our loneliness? Our rush? Our silence in crowded metro cars?

Technically, I mix street art geometry with rough antique maps, organic bionic shapes, and even fragments of Renaissance frescoes. I add textured pastes, mineral pigments, engraving, and sometimes 3D elements that break out of the canvas. Then I partially erase or "seal" parts of the image — to show how we hide ourselves, layer by layer.


The result is not just a painting. It's a time capsule. An invitation to see your everyday life as something already ancient, already precious. To step outside your own "capsule" and observe it with curiosity, not fear.

To the Catalogue
If you'd like to ask about any piece
— click here.