- Art as a Method -
of Cognition
2022

Arctic expeditions, magnetic fields, and the sound of wind over stone.
Art as a different kind of science.

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Dance of Light
The rhythms of the northern lights, frozen in space.

Oil, relief and gold leaf
on linen canvas,
40 x 80 x 2 cm | 15,7 x 31,5 x 0,8 inch

© Daria Harlauta 2022 (signed & certified)
$
2097
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Moon Dance
The invisible harmony of a natural phenomenon.

Oil, relief and gold leaf
on linen canvas,
40 x 80 x 2 cm | 15,7 x 31,5 x 0,8 inch

© Daria Harlauta 2022 (signed & certified)
$
2097
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Song of Ice and Light
A synesthetic transformation of space.

Oil and relief
on cotton canvas
50 x 70 x 2 cm | 19,7 x 27,5 x 0,8 inch

© Daria Harlauta 2022 (signed & certified)
$
2506
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Aurora's Wings
Confronting time and cosmic forces.

Oil and relief
on cotton canvas
50 x 70 x 2 cm | 19,7 x 27,5 x 0,8 inch

© Daria Harlauta 2022 (signed & certified)
$
2506
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Titanomachy
The birth of a new world through a tangible difference in potentials.

Oil and relief
on cotton-linen canvas
50 x 80 x 2 cm | 19,7 x 31,5 x 0,8 inch

© Daria Harlauta 2022 (signed & certified)
$
1748
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The Snow Frog and the Sky Whale
Ecological fantasy as a method of scientific imagination.

Oil on cotton canvas,
30 x 30 x 2 cm | 11,8 x 11,8 x 0,8 inch

© Daria Harlauta 2023 (signed & certified)
$
1142
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ROOTS
Whale Songs
An acoustic-light membrane between the city and the sky.

Oil, gold leaf and patina
on linen canvas,
60 x 80 x 2.5 cm | 23,6 x 31,5 x 1 inch

© Daria Harlauta 2021 (signed & certified)
$
1604
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ROOTS
Gravitation
A cognitive shift from terrestrial mechanics to the cosmic dynamics of connections.

Oil, gold and silver leaf on hardboard,
55 x 50 x 1 cm | 21,7 x 19,7 x 0,4 inch
60 x 57 x 2,5 cm | 23,6 x 22,4 x 1 inch | framed

© Daria Harlauta 2021 (signed & certified)
$
1604
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More

The Facets of Myth:

Art as a Method of Cognition (2022)
Planetarium, Saint Petersburg

I spent time in the Arctic — Kola Peninsula, Northern Norway. Not to paint pretty landscapes. To listen.
I recorded magnetic fields, the sound of wind over stone, the way light moves across the tundra. Then I came back to the studio and translated all of it into paint, sound, and even smell. Because for me, art is not about illustrating facts. It's a way of knowing the world.

This project was born from that belief. It's not just a series of paintings. It's a room you walk into. There's a scent in the air. There's music — played on a Hang, an instrument that sounds like water dropping on metal. And on the walls, layers of airbrush, mineral pigments, and textured relief that mimic the actual topography of the places I visited.

I worked with a composer and a perfumer to make it feel real. Not because science needs decoration. But because some things — the pull of the north, the weight of an aurora — can't be explained with numbers alone.

This is not art about science. This is art as science. A different kind of laboratory.